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Track Listings 1 My Name Is Jonas (Side A) 2 No One Else (Side A) 3 The World Has Turned and Left Me Here (Side A) 4 Buddy Holly (Side A) 5 Undone - the Sweater Song (Side A) 6 Surf Wax America (Side A) 7 Say It Ain't So (Side B) 8 In the Garage (Side B) 9 Holiday (Side B) 10 Only in Dreams (Side B)

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• - Weezer

• - Blue Album

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ULTRADISC ONE-STEP BOX SET OF LUSH 1974 ALBUM PLAYS WITH ARRESTING DETAIL, CLARITY, AND OPENNESSMastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When AuthenticatedCourt and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The much-deserved break led to yet more breakthroughs. Demonstrably marking Mitchell's increasing drift toward jazz (and proclivity for absorbing the works of Miles Davis and John Coltrane), and teeming with heightened confidence, beautiful melodies, and shape-shifting arrangements, the lush 1974 record earned four Grammy nominations and was voted the Best Album of the Year in the prestigious Pazz & Jop poll. Court and Spark witnesses the singer-songwriter finding not only her footing with a group of musicians who seemingly understand her visions and desires - but expanding her lyrical palette and venturing further into territory no artist had dared explore. Balancing deceptively light compositions with underlying tensions, the work Rolling Stone named the 110th Best Album of All Time now possesses the rich, detailed sound it's always deserved on Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set.

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TRACKS II: THE LOST ALBUMS are seven unheard Bruce Springsteen records made between 1983–2018. Featuring 82 previously unreleased songs, Tracks II: The Lost Albums fill in chapters of Springsteen’s expansive career timeline, while offering invaluable insight into his life and work as an artist. “The Lost Albums were full records, some of them even to the point of being mixed and not released,” said Springsteen. “I’ve played this music to myself and often close friends for years now. I’m glad you’ll get a chance to finally hear them. I hope you enjoy them.” From the lo-fi exploration of LA Garage Sessions ’83, serving as a crucial link between Nebraska and Born in the U.S.A., to the drum loop and synthesizer sounds of Streets of Philadelphia Sessions. Tracks II: The Lost Albums offers unprecedented context to 35 prolific years of Springsteen’s songwriting and home recording. “The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions,” Springsteen explained. Throughout the set, that sonic experimentation takes the form of film soundtrack work (for a movie that was never made) on Faithless, country combos with pedal steel on Somewhere North of Nashville, richly woven border tales on Inyo, orchestra-driven, mid-century noir on Twilight Hours and E Street favored rock on Perfect World. Tracks II: The Lost Albums is available in limited-edition nine-LP and seven-CD formats, including original packaging for each previously unreleased record, with a 100-page cloth-bound, hardcover book featuring rare archival photos, liner notes on each lost album from essayist Erik Flannigan and a personal introduction on the project from Springsteen himself.

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• - Follow That Dream

• - Don’t Back Down On Our Love

• - Little Girl Like You

• - Johnny Bye Bye

• - Sugarland

• - Seven Tears

• - Side B

• - Fugitive’s Dream

• - Black Mountain Ballad

• - Jim Deer

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Trans-Siberian Orchestra's 2000 rock opera, "Beethoven's Last Night," dramatically reimagines Ludwig van Beethoven's final hours as the devil attempts to claim his soul, only to be thwarted by Fate and her son Twist. Through TSO's signature classical crossover rock, featuring nods to Beethoven's melodies, the album unfolds a powerful narrative of redemption. This unique concept album delivers soaring vocals and instrumentals, showcasing a captivating blend of rock and classical music. Featuring a Lenticular (3D) Cover, 2xLP Iridescent Blue colored vinyl, and a 24 page booklet.

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Shortly before cutting the hard-rock classic Smokin', Humble Pie played the biggest US gig of them all: Shea Stadium, opening for Grand Funk Railroad. It was a make-or-break moment for the U.K. band, and just as the set was heating up, it began to rain. Playing during a storm is a risky situation in the best of times, but in 1971 it meant taking your life in your hands. Frontman Steve Marriott took the mic and dramatically announced that the group didn't care: 'It's comin' down rain, and we don't give a f*! We're gonna rock your asses all night long!''The audience went absolutely berserk,' drummer Jerry Shirley recalls. Even Grand Funk's fastidious manager Terry Knight was impressed enough to allow a couple of encores. The band managed to avoid getting killed. And America was now Humble Pie territory.Lucky for the group, the next studio album they released had just as much rock 'n roll bravado - seasoned with deep blues roots and a whole lot of soul. Smokin', Humble Pie's fifth studio set, made Steve Marriott a star for a second time, gave the band it's most enduring song - '30 Days in the Hole' - and made them U.S. headliners.It was also the sound of a band in transition, both in sound and personnel. When Humble Pie formed in 1969, everybody had something of a profile: Marriott had been in the Small Faces; guitarist/singer Peter Frampton, fresh from the Herd, was known both for his chops and his good looks (the U.K. press called him the 'face of '68'). Bassist Greg Ridley and drummer Jerry Shirley, meanwhile, came from cult favorite hard-rock bands Spooky Tooth and Apostolic Intervention. So Humble Pie initially functioned as a democratic supergroup: Everybody wrote songs, everybody sang lead, and the sound seesawed from heavy rock to the acoustic direction of their second LP, Town & Country.Eventually, they acquired a U.S. manager and booking agent - Dee Anthony and Frank Barsalona - who gave them a recipe for American success: More hard rock, more Marriott upfront. This paid off handsomely on the live album Rockin' the Fillmore, with their classic take on Ray Charles' 'I Don't Need No Doctor.' But shortly after it's release, and just after the Shea show, Frampton jumped ship, realizing that the band's direction was shifting away from his interests. Frampton, of course, became a sensation with his own double live album, but it took some time. 'He could see that acoustic side of things was going to be sidelined,' Shirley now recalls. 'But he'd be the first to tell you that when he left and wound up opening for us, he was thinking 'Oh dear, what did I do?'Humble Pie soldiered on. After the first round of auditions for a new guitarist didn't work out, they wrote a bunch of heavier songs and considered going out as a trio. Enter guitarist Dave 'Clem' Clempson, who was immediately hired after Marriott spotted a couple of hot solos on a Colosseum live album. Clempson wasn't as much of a singer or acoustic player, but he was a powerhouse of a blues-based guitarist.But that's another story. Meanwhile, Humble Pie's fifth album remains incredibly influential - just ask the Black Crowes, Gov't Mule, or the countless other bands who've referenced it. In short, it's still Smokin' after all these years. Now, settle in with this ultimate reissue - mastered by Kevin Gray from a 1/2" flat tape copy of the original master. And pressed at 45 RPM on two LPs - flat, virtually silent vinyl pressed by Quality Record Pressings!Dive into a rock 'n' roll masterpiece that's guaranteed to leave you craving more!180-gram 45 RPM double LP!Turn up the heat with the iconic Smokin' 1972 album by Humble Pie!Mastered by Kevin Gray from a 1/2" flat tape copy of the original masterPressed at Quality Record Pressings

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To mark the 50th anniversary of Wish You Were Here, the album first appears on "Yellow Flame" vinyl. With 'Shine On You Crazy Diamond', the hypnotic 'Welcome To The Machine', the snappy 'Have a Cigar' and the indispensable title song, Wish You Were Here is undoubtedly one of the most important albums in the history of pop music. The album's themes - absence, isolation, transience, and criticism of the insincerity of the music industry - are reflected in the iconic album cover. Even 50 years after it's release, "Wish You Were Here" sounds as up-to-date and vibrant as ever.

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This is a Blu-ray Audio disc ONLY compatible with Blu-ray disc players. This item is NOT compatible with Compact Disc players.

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Britney Spears’ first greatest hits album on black vinyl. The album includes three new tracks–a cover of Bobby Brown's "My Prerogative", "Do Somethin'", and "I've Just Begun (Having My Fun)",

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